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Aftermovie and event film on location

Photo and film by one maker, prepared around programme and audience

For the Audi Q6 e-tron launch I delivered both stills and an aftermovie from a multi-day event: one maker on site, two edits — one for the public, one for internal review.

When film and photo work together

An event, a training series, a product launch — sometimes the story needs both motion and a still frame. Photography since 2014 and film since 2019, both delivered by one maker on one location. That saves logistics, planning and direction.

Preparation defines the execution

We agree on four things up front: audience, intended use, privacy or strategic exclusions, and the focal points of the programme. For internal review I often make a second, longer edit with participants on camera. For public communications, some things stay deliberately off-frame.

Recent video work

Case: Audi Q6 e-tron market introduction

For the dealer-network introduction I captured a multi-day programme in stills and film. The aftermovie came in two versions: one for participants and the public, one for internal review.

For this kind of brief the combination is efficient — one maker on site, one briefing, two stories for different audiences.

Photo and film by one partner?

For events, training programmes or product launches I combine both. Clear up front what we'll make, usable afterwards across several channels.

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Discuss a photo and film production